Candidate of Art History, Associate Professor
at the Stieglitz State Academy of Art and Design, member of the St. Petersburg Union of Artists, diploma recipient of the Russian Academy of Arts
Ruslan Anatolyevich Bakhtiyarov
Candidate of Art History, Associate Professor at the Stieglitz State Academy of Art and Design, member of the St. Petersburg Union of Artists, diploma recipient of the Russian Academy of Arts
Ruslan Anatolyevich Bakhtiyarov
"The defining features of Elizaveta Pozharskaya's work are the recognizable, characteristic images that recur from century to century, guiding the lives of individuals and all of humanity. When depicting historical subjects, the artist prefers a broad, free manner of painting. Here,
her brilliant command of color and tone is particularly evident—techniques that allow her
to convey the drama of a battle or the solemn moment of triumph.
In Pozharskaya's representation, history possesses a pronounced emotional core, where military leaders, thinkers, and creators triumph, reflect... In portraiture, the artist's main goal is to create a spiritualized image, where a neutral background accentuates the depth and complexity
of the model's emotional life. The empty space is perceived as a metaphor for creative
discovery and inspiration in her homage to the classic American realist Andrew Wyeth, while
in the depiction of Ruskeala, the severe beauty of the Karelian nature is revealed through
the restrained minimalism of the compositional and color structure.
For Elizaveta Pozharskaya, beauty is not only an aesthetic category but also a moral
and philosophical one. This is confirmed by her self-portraits, which seem to seek,
in the elegant nobility of the canvases by Édouard Manet and Valentin Serov, an answer
to the question of the path one should follow in life and art."
"The defining features of Elizaveta Pozharskaya's work are the recognizable, characteristic images that recur from century to century, guiding
the lives of individuals and all of humanity. When depicting historical subjects, the artist prefers
a broad, free manner of painting. Here, her brilliant command of color and tone is particularly evident—techniques that allow her to convey the drama
of a battle or the solemn moment of triumph.
In Pozharskaya's representation, history possesses a pronounced emotional core, where military leaders, thinkers, and creators triumph, reflect... In portraiture, the artist's main goal is
to create a spiritualized image, where a neutral background accentuates the depth and complexity of the model's emotional life. The empty space is perceived as a metaphor for creative discovery and inspiration in her homage to the classic American realist Andrew Wyeth, while
in the depiction of Ruskeala, the severe beauty
of the Karelian nature is revealed through
the restrained minimalism of the compositional
and color structure.
For Elizaveta Pozharskaya, beauty is not only
an aesthetic category but also a moral
and philosophical one. This is confirmed by her self-portraits, which seem to seek, in the elegant nobility of the canvases by Édouard Manet
and Valentin Serov, an answer to the question
of the path one should follow in life and art."
"The defining features of Elizaveta Pozharskaya's work are the recognizable, characteristic images that recur from century to century, guiding the lives
of individuals and all of humanity. When depicting historical subjects,
the artist prefers a broad, free manner of painting. Here, her brilliant command of color and tone is particularly evident—techniques that allow
her to convey the drama of a battle or the solemn moment of triumph.
In Pozharskaya's representation, history possesses a pronounced emotional core, where military leaders, thinkers, and creators triumph, reflect...
In portraiture, the artist's main goal is to create a spiritualized image, where
a neutral background accentuates the depth and complexity of the model's emotional life. The empty space is perceived as a metaphor for creative discovery and inspiration in her homage to the classic American realist Andrew Wyeth, while in the depiction of Ruskeala, the severe beauty
of the Karelian nature is revealed through the restrained minimalism
of the compositional and color structure.
For Elizaveta Pozharskaya, beauty is not only an aesthetic category but also
a moral and philosophical one. This is confirmed by her self-portraits, which seem to seek, in the elegant nobility of the canvases by Édouard Manet
and Valentin Serov, an answer to the question of the path one should follow
in life and art."
Elizaveta Pozharskaya