Candidate of Art History, Associate Professor
at the Stieglitz State Academy of Art and Design, member of the St. Petersburg Union of Artists, diploma recipient of the Russian Academy of Arts
Ruslan Anatolyevich Bakhtiyarov
Candidate of Art History, Associate Professor at the Stieglitz State Academy of Art and Design, member of the St. Petersburg Union
of Artists, diploma recipient of the Russian Academy of Arts
Ruslan Anatolyevich Bakhtiyarov
"In her works, Anna Shchegoleva frequently engages with themes actively explored by contemporary art. Seemingly harmless subjects and motifs, under her brush, acquire
the power of grotesque, penetrating allegory, and even formidable satire that truly strikes
a nerve...
Thus, a large collection of animalistic motifs has been transformed by the artist into sharp irony aimed at the "articles of faith" of consumer society, where cute little creatures willingly mimic far from the best traits of their owners. Meanwhile, the genre of the parable,
of the contemplative painting, allows the author — through the absurdity and illogic
of the presented situations — to create her own version of the immortal "In Praise of Folly."
Anna Shchegoleva seems to remind us that many delusions and vices, alas, are perennial
and ineradicable. It is important for us to heed the perceptive talent of this master, who, through the power of plastic and figurative generalization, reveals the typical within
the individual and the sharply characteristic."
"In her works, Anna Shchegoleva frequently engages with themes actively explored by contemporary art. Seemingly harmless subjects and motifs, under her brush, acquire the power of grotesque, penetrating allegory, and even formidable satire that truly strikes a nerve...
Thus, a large collection of animalistic motifs has been transformed by the artist into sharp irony aimed at the "articles of faith" of consumer society, where cute little creatures willingly mimic far from the best traits of their owners. Meanwhile, the genre of the parable,
of the contemplative painting, allows the author — through the absurdity and illogic
of the presented situations — to create her own version of the immortal "In Praise of Folly."
Anna Shchegoleva seems to remind us that many delusions and vices, alas, are perennial and ineradicable. It is important for us to heed the perceptive talent of this master, who, through the power of plastic and figurative generalization, reveals the typical within
the individual and the sharply characteristic."
"In her works, Anna Shchegoleva frequently engages with themes actively explored by contemporary art. Seemingly harmless subjects and motifs, under her brush, acquire the power of grotesque, penetrating allegory,
and even formidable satire that truly strikes a nerve...
Thus, a large collection of animalistic motifs has been transformed by
the artist into sharp irony aimed at the "articles of faith" of consumer society, where cute little creatures willingly mimic far from the best traits of their owners. Meanwhile, the genre of the parable, of the contemplative painting, allows the author — through the absurdity and illogic of the presented situations — to create her own version of the immortal "In Praise of Folly."
Anna Shchegoleva seems to remind us that many delusions and vices, alas, are perennial and ineradicable. It is important for us to heed the perceptive talent of this master, who, through the power of plastic and figurative generalization, reveals the typical within the individual and the sharply characteristic."
Anna Shchegoleva