Candidate of Art History, Associate Professor
at the Stieglitz State Academy of Art and Design, member of the St. Petersburg Union of Artists,
diploma recipient of the Russian Academy of Arts
Ruslan Anatolyevich Bakhtiyarov
Candidate of Art History, Associate Professor at the Stieglitz State Academy of Art and Design, member of the St. Petersburg Union
of Artists, diploma recipient of the Russian Academy of Arts
Ruslan Anatolyevich Bakhtiyarov
"The art of Alexandra, who carries on a dynastic tradition of deeply engaged and sharp, often severe art, is always an invitation to an open dialogue about that which concerns the author and which must awaken a similar engagement in the viewer. This worldview is saturated with the complex impulses of the new millennium, which eliminates certain contradictions in human life only to immediately replace them with new ones, more sophisticated and intractable.
Alexandra Shchegoleva's works form a remarkable mosaic of diverse techniques
and themes — ranging from ready-mades, collage, and kinetic art objects to graphic series dedicated to the immortal creations of Shakespeare and paintings with multi-layered narratives and complex subtexts.
Here, gentle irony can at any moment give way to tragic insight, while skepticism
and total irony — hallmarks of postmodern credo — are directed toward awakening
the viewer's capacity for reflection and empathy. The artist playfully reinterprets
the figures of well-known mass culture heroes, touches upon themes of childhood
and feminism, or searches within the pinnacle achievements of past culture
for an "Ariadne's thread" capable of leading us out of yet another existential dead end."
"The art of Alexandra, who carries on a dynastic tradition of deeply engaged and sharp, often severe art, is always an invitation to an open dialogue about that which concerns the author
and which must awaken a similar engagement
in the viewer. This worldview is saturated with
the complex impulses of the new millennium, which eliminates certain contradictions in human life only to immediately replace them with new ones, more sophisticated and intractable.
Alexandra Shchegoleva's works form a remarkable mosaic of diverse techniques and themes — ranging from ready-mades, collage, and kinetic art objects to graphic series dedicated to the immortal creations of Shakespeare and paintings with multi-layered narratives and complex subtexts.
Here, gentle irony can at any moment give way
to tragic insight, while skepticism and total irony — hallmarks of postmodern credo — are directed toward awakening the viewer's capacity
for reflection and empathy. The artist playfully reinterprets the figures of well-known mass culture heroes, touches upon themes of childhood
and feminism, or searches within the pinnacle achievements of past culture for an "Ariadne's thread" capable of leading us out of yet another existential dead end."
"The art of Alexandra, who carries on a dynastic tradition of deeply engaged and sharp, often severe art, is always an invitation to an open dialogue
about that which concerns the author and which must awaken a similar engagement in the viewer. This worldview is saturated with the complex impulses of the new millennium, which eliminates certain contradictions
in human life only to immediately replace them with new ones, more sophisticated and intractable.
Alexandra Shchegoleva's works form a remarkable mosaic of diverse techniques and themes — ranging from ready-mades, collage, and kinetic art objects to graphic series dedicated to the immortal creations of Shakespeare and paintings with multi-layered narratives and complex subtexts.
Here, gentle irony can at any moment give way to tragic insight, while skepticism and total irony — hallmarks of postmodern credo — are directed toward awakening the viewer's capacity for reflection and empathy.
The artist playfully reinterprets the figures of well-known mass culture heroes, touches upon themes of childhood and feminism, or searches within the pinnacle achievements of past culture for an "Ariadne's thread" capable of leading us out of yet another existential dead end."
Alex Goldfinch